From Dawn to Dusk – Street photography with the Leica M10

There has been much said about Leica rangefinders being the epitome street photography tool, a genre where discreetness and candidness of the moment captured still rule. 

The M rangefinder has been around for more than half a century, and yet, continue to eke out a slice of the market in today’s market choke-full of advancements like IBIS, true-to-life OLED electronic viewfinders with zero black-outs, and the somehow ever ‘faster by a bit‘ fastest autofocus in every successive model. So what are the reasons? 


the obligatory gear shot – the 35mm Summilux FLE is my go-to everyday lens. 

Today I wish to go further, to speak more in terms of how the quality of optics (image quality), and most of all, share how that this full manual focusing system is indeed still fast enough for street photography. 

*note: if you are into sports and birds-in-flight, of course, autofocus is a necessity. This is simply factual. 

Instead of a dreary 2000 words, let’s let the pictures do the talking with lesser than 800 words this round.


Dawn 6:50 am – f1.4, ISO1000, 1/30s


7:00 a.m – f2.4, ISO800, 1/30s


f5.6, ISO200, 1s

In body and lens stabilisation has been heavily marketed in recent years, but has never appeared on the Leica M even with its latest reiteration, the 40 megapixels M10-R. So, is this a problem? 

On the record, it is indeed a useful tool especially for telephoto focal lengths, however, my question will be: is it indeed for street photography? Even the Ricoh GR III got ‘IBIS-ed’ along the way. 

An issue I have is the abundance of built-in stabilisation is it has created a generation of photographers who have no idea how to hold their cameras correctly. Why do I dare to say so? Because I am one such a guilty person. When I started with Olympus’s MFT system with their renowned IBIS in 2014, it was so phenomenal that when I switched to Fujifilm years later, I had a period where shake was all over my images even at 1/60s. Fujifilm only incorporated IBIS in its cameras around mid-2018, and even today it is only for selected models.

It took honest friends and training to get to where I am today in handholding my cameras. Frankly at street photography focal lengths, one does not need IBIS, and if it is in so low light that one needs a longer exposure, handheld IBIS is not likely to help once the exposure length goes beyond 2 seconds. 


f4, ISO320, 1/30s


f4.8, ISO200, 1/750s


f5.6, ISO400, 1/30s


f4, ISO200, 1/60s.

How we use our equipment aka using zone focusing. 

Not often spoken of is how one overcomes the lack of autofocus for street photography, or why do the rangefinder users swear that they can go faster than auto-focus or the GR users swear by snap-focusing – the answer is below. 

Those lines on the lens aren’t for decoration’s sake, they are an excellent focusing aid beyond the rangefinder focusing patch. Setting the aperture at f4 means I can easily have the distances 2 to 7 meters in focus, setting it to f8 means that I can have 2 meters to infinity in focus the moment I hold up my camera, and this is how zone focusing works. 

*simplified explanation here, there’s much more to zone focusing but there’s little point writing another 500 words of mumbo-jumbo to the reader. 


f4.8, ISO200

Of course, then someone may ask: “Keith, why would you spend SGD 8000 on a Summilux to shoot at f8?”

Depth of field is a valuable tool in helping an image convey its story, and it is wrong to assume that every shot should be made wide-open. 

The reason which a lot of people miss is image quality, or simply the quality of optics


f6.8, ISO200, 1/2000s

Some people spend endlessly on upgrading camera bodies but fit it to a mediocre lens. Akin to getting an expensive-looking car but running it on an aged cheap engine – the loss in potential is substantial. I will rather spend on the best optics and a decent body (sensor) than the other way round and the 35mm Summilux (FLE) is one such example. 


f5.6, ISO200

It is not just the exceeding sharpness wide open, it is the sum of the parts like its rendering of out of focus areas fall to focused areas, distortion control, etc that makes this lens one of the apex lenses in Leica’s 35mm catalog.


f1.4, ISO200, 1/4000s


f4, ISO200, 1/250s

Compactness is important for street photography, if you have tried doing holding up a Canon 1DX III or a Sony A7R IV with a Zeiss 35mm f1.4mm ZA to someone’s face in the street, you will understand. Next, compare the size of a Leica M body and a 35mm Summilux to a Sony A7R IV with the Zeiss 35mm f1.4 ZA and it is obvious why the rangefinder has an advantage. 


f2.8, ISO200

To end off, of course there are many tools for street photography. Even the ubiquitous iPhone makes a great tool amongst the classical Fujifilm X100 and Ricoh GR series. However, coming from having used quite a variety of these tools, I hope today this article can articulate more on how the Leica M rangefinder series remains much unchanged but yet still relevant for capturing the moment more than half a century after its debut.

Thank you for reading.

Disclaimer:
1. all images except product photos were shot with the Leica M10 and 35mm FLE by me and edited to my preferences.
2. I am easy with ownership but there have been instances where people tried to profit off my photos, hence do at least ask 🙂 

 

Keith Wee

Photography Reviewer and Mathematics Educator. Writes for Fujifilm Asia Pacific, Fujilove and FujiXPassion and loves to share life as it is, with its sweet and bitter moments.

4 thoughts on “From Dawn to Dusk – Street photography with the Leica M10

  1. How did we ever live without camera/lens stabilization, auto-focus, and mega resolution 😉 I have to admit I’ve lusted after equipment with higher and higher specs. So, I want to thank you for your insight about dialing some of it back. This week I slapped on a Fujifilm 35mm film camera 50mm lens (with adapter) on my XH-1. The horror of this hybrid! 🙂

    Forced, after many years of “auto-pilot” shooting, to use manual focus was a ball! I’m shooting pretty slow, especially in low light. But I remember the days when I was lightening fast with my Pentax K1000, and Pentax ME. Pushing ASA400 to ASA 800 with double the time in the deep dark chemical tanks of a camera store where I worked the darkroom!!! The grain was beautiful my friends.

    Granted, I’m going to save this setup for special occasions. I am now interested in getting some more manual lenses. I’m just sorry I sold my Pentax 28mm, 50mm and 135mm years ago.

    Thanks again for the great stories and pictures! A fan!

    Liked by 1 person

    1. Thank you for sharing 🙂 similar to you, there are times where we have the need to shoot with modern conveniences but times where I yearn to go back to being more involved in the shot in my journey, the M6 was the camera that gave me the knock on the head haha. I guess on the bright side we are very lucky nowadays to be blessed with so many choices 🙂

      Like

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